As a researcher, I study how cultural heritage institutions have used text technologies like lithography, photostats, and optical character recognition to shape how we read history. I am particularly interested in how these technologies are used to replicate and intervene in the violence caused by national, colonial, and imperial relationships. In my digital humanities work, I seek to put these theoretical questions into practice.
More recently, I have become interested in the 'pivot to digital' brought about by the COVID-19 pandemic and how it is reshaping humanities practice and education.
Scholarly publications
What’s Hope Got to Do With It?

Digital Humanities & Colonial Latin American Studies

Irreversible: The Role of Digitization to Repurpose State Records of Repression

Post-Custodial Archiving for the Collective Good

Colonial Copying in an Imperial Age

Dissertation: Unreadable Books: Early Colonial Mexican Documents in Circulation

Automatic Compositor Attribution in the First Folio of Shakespeare

Machine Reading the Primeros Libros

An Unsupervised Model of Orthographic Variation for Historical Document Transcription

Representing the Social History of Early Modern Printed Objects

Reading the First Books: Multilingual, Early-Modern OCR for Primeros Libros

Unsupervised Code-Switching for Multilingual Historical Document Transcription

Translating an Unreadable Novel: The Lost Steps in the United States
